- Ch'io mi scordi di te?
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Ch'io mi scordi di te?, K. 505, es un aria de concierto de Wolfgang Amadeus Mozart, en ocasiones considerada como una de sus mejores. Mozart la escribió en Viena en 1786. Fue escrita originalmente para el personaje de Idamante en una revisión de su temprana ópera Idomeneo. Fue compuesta específicamente para Nancy Storace, (que interpretó el papel de Susanna en Las bodas de Fígaro de Mozart) con el propio Mozart como pianista. El aria es única debido a su piano obligato y parece ser que Mozart la escribió para sí mismo con la intención de 'cortejar' a Nancy, con la que mantenía una intensa relación, posiblemente romámtica.[cita requerida]
Estructura
The work can be divided into two separate sections, the first being the recitative in G minor and the aria itself, a rondo in E flat major.
The piece opens with the strings, alternating between solo soprano and solo strings. After the opening few phrases, the tempo briefly changes to be much more fast and rigorous. It soon changes back to the opening tempo with the soprano part now accompanies by strings. After this, the winds quickly modulate the piece to E flat major at which point the piano enters, in a light, gentle almost flirtatious upwards moving passage which sets the theme for the opening of the rondo. The soprano then enters again with piano being a more prominent accompaniment at times solo. Throughout the rondo there is a considerable amount of coloratura and sustained notes. There is a sudden tempo change ushered in by the piano in rapid scales. There is then a brief passage in which the piano only accompanies the orchestra. A new theme is then introduced and repeated, after this, another intense moment is introduced with repeated use of the word 'Perche' by the soprano. After this there is a passage in the minor with only the piano and soprano. However, the winds and piano soon lead the modulation back to the major at which point the theme of the rondo introduced at the faster tempo is repeated. There is then a considerable amount of coloratura from the soprano leading to some considerably high notes leading to a trill, and the glorious ending, similar to that of the Allelujah from Mozart's Exsultate Jubilate, accompanied by arpeggios in piano.
Referencias
- Ch'io mi scordi di te?: Partitura e informe crítico (en alemán) en Neue Mozart-Ausgabe
Categorías:- Wikipedia:Traducciones en desarrollo en otros idiomas
- Arias de Wolfgang Amadeus Mozart
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